Sensational Comeback — Galleri Olsson — SvD April 6, 1985
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Lars Nittve traces Lindblom's development from Rodin-influenced organic bronzes in 1963 to polished, minimalist profile-based works with a focus on the surface as a central issue. Rather than stylistic development, Nittve identifies surface focus as the unifying thread. The review positions Lindblom as a continuation of Rodin's radical insight that meaning arises from the surface's interaction with external reality — in contrast to modernist sculptors (Arp, Moore) who privileged inner form cores. Nittve characterizes the exhibition as "simultaneously challenging and formally mature".
Lars Nittve
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